Direct answer and scope

The delivery package should distinguish the delivered artwork from records about rights and preservation. For each delivered item, note whether it is a physical print, a digital portrait file, an exported memorial copy, or accompanying documentation. Record its delivered-copy state and the version or filename shown in the handoff materials. Descriptive filenames, organized folders, descriptive tags, and a short explanation of the folder structure can make the contents identifiable without prescribing one naming system or technical format.

Version status should be recorded rather than inferred. Relevant questions may ask whether an item is described as a master, approved version, display version, export, or documentation copy. These labels do not create a required file set and should not be added when the delivery materials do not use them. If the status is unknown, leave it unresolved instead of converting receipt or apparent completeness into a positive conclusion.

The package can also identify the claimed creator and claimed copyright owner, along with the document relied upon if the parties describe a different ownership arrangement. Keep these claims separate from possession of a print or file. The record should state what was represented and which evidence was referenced, not decide who legally created or owns a particular portrait.

Permission questions belong beside, but not inside, the delivery inventory. Record whether the referenced arrangement addresses reproduction, editing, distribution, public display, publication, archiving, or authorization of later use. The existence of a delivered item does not answer those intended-use questions, and the checklist should not decide whether a particular activity requires permission or falls within a statutory limitation.

How to use the official evidence

Library of Congress personal-archiving guidance supports asking practical identification and preservation questions. For digital photographs, that guidance recommends descriptive filenames and tags, an organized folder structure, and a brief description of the structure and photographs. For personal digital records, it recommends deciding which versions have long-term value, naming and organizing files descriptively, and documenting the folder arrangement. Apply these points as questions about the handoff, not as mandatory specifications for portrait production.

The same guidance recommends maintaining at least two copies in different places and checking readability periodically. A delivery record can therefore distinguish a copy retained by the commissioned service, the commissioner’s copy, and evidence of an independent copy. Do not count a copy that has not been confirmed, assume that a service-held copy is independent, or record an inaccessible file as preserved.

U.S. Copyright Office guidance supplies a different kind of evidence. It explains that copyright can protect original works of authorship once fixed and identifies paintings, photographs, and illustrations among the covered categories. It also explains that the creator who fixes an original work is generally the author and owner, while ownership may differ under specified doctrines or transfers. These principles support requesting written identification of source material, deliverables, the claimed author, the claimed owner, and intended reproduction or display permissions. They do not resolve those issues for an individual portrait.

Copyright Office guidance also separates ownership of a copy from copyright ownership. When a transfer of copyright ownership is claimed, the delivery record can ask which rights are involved, whether the arrangement is described as exclusive or nonexclusive, and which signed document is relied upon. The guidance notes that transfers of copyright ownership generally require a writing signed by the owner or an authorized agent, while a nonexclusive transfer does not require a written agreement. Record the evidence presented without interpreting its legal effect.

Decision framework

Start with the delivery item. Create a separate entry for every item that can be identified from the handoff record, then state its observed delivery condition without adding an unstated status. Link the item to the version or filename appearing in the supplied documentation. If folders or descriptive materials accompany the files, note whether a folder description or manifest is present. Do not invent filenames, metadata, version labels, technical specifications, or missing deliverables.

Next, record attribution and rights claims. Enter the claimed author and claimed copyright owner only when those claims appear in the available evidence. If another arrangement is asserted, identify the referenced permission or transfer document. Record whether it is described as signed and whether the stated arrangement is exclusive or nonexclusive, but do not interpret a clause or determine whether ownership or permission changed.

Then separate intended uses into questions. Reproduction, editing, distribution, display, publication, archiving, and authorization of later use should remain distinct. For each proposed use, record whether the cited document addresses it, leaves it unanswered, or requires further review. Do not turn an approval statement, payment receipt, delivered print, source photograph, or portrait file into permission for an unstated activity.

Finish with preservation evidence. Ask whether an independently readable copy exists outside the commissioned service, whether the relevant version can be identified, and when readability was last checked. Keep service-held, commissioner-held, and independent-copy states separate. A listed copy is not evidence of readability unless that status has been checked, and no recorded copy answers the copyright or intended-use questions.

Limits and what to verify next

No current artist, vendor, platform, product, account function, export method, backup process, file format, price, availability, or delivery schedule is established by the supplied evidence. Vendor-specific fields must remain unknown unless supported by a separately reviewed primary-evidence record. The checklist should not be used to select or evaluate a provider.

Unresolved questions should remain visible. Verify the identity claimed for the creator and owner, the document cited for any different arrangement, the exact delivered version, the intended uses addressed by that document, and the existence and readability of any independent copy. Official guidance should be checked again for currency before relying on it for a new decision.

The organizer accepts controlled selections only. It does not accept artwork, photographs, names, artist or vendor identities, filenames, agreement text, free-text descriptions, account details, or payment information. Selections reset locally and are not sent to the publisher. Its output separates recorded evidence states from unresolved copyright, contract, export, backup, and continuity questions; it does not issue a legal result or recommend whether to proceed.

Evidence behind this page

Each point below is restricted to what the cited primary source supports. Administrative listing status is not a quality endorsement.

Claim-level evidence used on this page
EvidenceSupported pointScope and limitation
Evidence 1Include file-naming, metadata, and folder-manifest questions in the portrait handoff checklist.Do not collect names, relationships, dates, locations, descriptions, tags, filenames, folders, or other metadata from a visitor.
Evidence 2Ask whether an independently readable preservation copy exists outside the commissioned service.Do not claim that two copies prevent loss, approve a medium or location, or treat a vendor-hosted copy as independent without evidence.
Evidence 3Include master, approved, display, export, and documentation version-status questions without inventing a required file set.Do not prescribe a file format, resolution, color space, layer structure, naming convention, or number of versions for a commission.
Evidence 4Keep the vendor copy, commissioner copy, and independent backup evidence states separate.Do not count an unverified copy, guarantee recovery, approve a storage provider, or state that an inaccessible file is preserved.
Evidence 5Explain why a portrait commission should state the source material, creator, deliverables, and intended reproduction and display permissions in writing.Do not decide originality, fixation, copyrightability, authorship, ownership, infringement, public-domain status, or whether a specific portrait is protected.
Evidence 6Prompt the parties to identify the claimed author and copyright owner and the evidence supporting any different arrangement.Do not assume that paying for, possessing, appearing in, supplying a photo for, or commissioning a portrait transfers copyright.
Evidence 7Distinguish possession of a source photograph, portrait file, print, or exported memorial copy from copyright ownership and permission.Do not decide who owns a physical or digital copy, who owns copyright, whether a use is licensed, or whether a source photograph may be used.
Evidence 8Ask which rights are claimed, whether the arrangement is exclusive or nonexclusive, and which signed document is relied upon.Do not interpret a clause, decide whether a transfer occurred, draft a license, prescribe exclusivity, or state that an unsigned permission is invalid.
Evidence 9Separate portrait delivery from permissions to reproduce, edit, distribute, display, publish, archive, and authorize later use.Do not decide whether a planned use implicates a right, whether an exception applies, or whether a person may publish, edit, print, share, or display a work.
Evidence 10Publish official method guidance and vendor-question fields only, leaving vendor-specific values unknown until a separate primary-evidence manifest passes review.Do not name, list, rank, recommend, contact, quote, compare, review, or imply a feature or capability of any vendor or platform.
Evidence 11Describe the tools as anonymous in-page organizers whose controlled selections reset locally and are not sent to the publisher.Do not add image analysis, face recognition, biometric processing, generation, restoration, personalization, cloud export, saved project, account connection, vendor submission, or background request.
Evidence 12Show selected labels, unresolved questions, scope notes, and internal reading routes with a reset action.Do not calculate a score, select a vendor, provide a legal result, or recommend proceeding with a commission or hosted memorial.

Questions people ask

What can I record when a memorial portrait commission is delivered?

Record each delivered item, its delivered-copy state, the version or filename shown in the handoff, the claimed author or owner, the referenced permission document, unresolved intended-use questions, and evidence concerning an independently readable copy. You may also note whether descriptive filenames, tags, organized folders, or a folder description accompany the delivery, without creating missing metadata or prescribing a technical format.

Does receiving a portrait file or print transfer copyright?

Ownership or possession of a copy does not by itself provide copyright ownership in the work. Do not treat payment, commissioning, appearance in an image, supply of a source photograph, or receipt of a file or print as evidence of a transfer. Record the claimed owner and the document relied upon without deciding its legal effect.

Why should the delivered version be identified separately from approval?

The delivery record can distinguish master, approved, display, export, and documentation statuses when those labels appear in the evidence. Identifying the actual delivered version avoids filling an unanswered status with a conclusion. An approval label also does not answer ownership or intended-use permission questions.

Which intended-use questions can remain attached to the delivery record?

Questions may separately address reproduction, editing, distribution, public display, publication, archiving, and authorization of later use. The record can show whether a cited document addresses each use, but it should not determine whether permission is required, an exception applies, or a specific use is authorized.

Does an independently held copy prove that a file will remain readable?

No. Personal-archiving guidance supports keeping copies in different places and checking readability periodically, but the existence of another copy does not establish future readability or recovery. Record independent-copy evidence and readability status separately, and do not count an unverified or inaccessible copy as preserved.

Can I upload artwork, enter an artist, paste agreement text, or request a legal conclusion?

No. The organizer does not accept artwork, photographs, artist or vendor identities, filenames, free text, agreement text, account information, or uploads. It uses controlled selections that reset locally and are not sent to the publisher. It records labels and unresolved questions rather than issuing a legal result.

Primary sources

  1. Library of Congress — Keeping Personal Digital Photographs Verified 2026-08-26
  2. Library of Congress — Keeping Personal Digital Records Verified 2026-08-26
  3. U.S. Copyright Office — What Is Copyright? Verified 2026-08-26
  4. U.S. Copyright Office — Copyright Basics, Circular 1 Verified 2026-08-26
  5. Memorial Portrait and Digital Continuity Desk validated source and checklist methodology Verified 2026-08-26